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Papers On Theater
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"Naturalism" in Two Strindberg Plays.
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(5 pp) In the he late 1880s Strindberg began to
experiment with free verse and created the great
dramas The Father (1887), Miss Julie (1888), and
Creditors (1888). The Father vividly expresses
Strindberg's view of the war between the sexes, in
which he saw man as victimized by woman. Miss Julie
is a psychological study of the seduction of an
upper-class woman by an insensitive chauffeur.
This discussion will look at the naturalism shown
in both plays.
Bibliography lists 6 sources.
Filename: BBstrnbR.doc
Paper Title: "Naturalism" in Two Strindberg Plays.
"Noises Off"
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A 3 page paper which discusses the play "Noises Off." The paper
discusses relevant details of the script and the production, what the script and the
production are seeking to achieve, and what elements of the script and the production are
successful, or otherwise, in achieving the goal of this theatrical event. bibliography lists 1
source.
Filename: RAnoisoff.wps
Paper Title: "Noises Off"
"Oedipus Tyrannus": Guilt and Innocence
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This 3 page paper discusses the issues of guilt and innocence with regard to the character of Oedipus in Sophocles' tragedy. Bibliography lists 1 source.
Filename: HVOTGilt.rtf
Paper Title: "Oedipus Tyrannus": Guilt and Innocence
"Splendor in the Grass"
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An 8 page paper which discusses the movie "Splendor in the
Grass" and further illustrates the works of Elia Kazan, who directed the movie, and
William Inge, who wrote the screenplay. Bibliography lists 8 sources.
Filename: RAsplendor.wps
Paper Title: "Splendor in the Grass"
"The Blood Knot": Identity
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A 22 page paper which discusses different aspects of
identity as is found in Athol Fugard's play, "The Blood Knot." Homi K. Bhabha's theories,
regarding colonial mimicry, are also discussed as they apply to Fugard's play. Bibliography
lists 5 additional sources.
Filename: RAbloodk.wps
Paper Title: "The Blood Knot": Identity
"The Crucible" Asks Difficult Questions
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(5 pp) Is it some tragic theme, of humanity, that
needs to keep repeating itself--married man has an
affair with young girl, destruction follows? Or
does literature just reflect the consistent
foibles, or "the potholes" in the human road?
Arthur Miller makes the bad guys the heroes in his
1953 play the Crucible. We will look at this
reversal of morality in the characters of John
Proctor and Rebecca Nurse in this discussion.
Filename: BBmilcrc.doc
Paper Title: "The Crucible" Asks Difficult Questions
"The Greatest Othello?" -- Laurence Olivier's 1965 Film
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This 4 page report discusses
Sir Laurence Olivier's 1965 film version of Shakespeare's "Othello." The film is
something of a hybrid in that it is actually a filming of the stage production by the
National Theatre of Great Britain. Bibliography lists 3 sources.
Filename: BWothLO.rtf
Paper Title: "The Greatest Othello?" -- Laurence Olivier's 1965 Film
"The Iceman Cometh," "Waiting For Godot" And "Death Of A Salesman": Time And Attitude
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6 pages in length. The writer discusses the aspects of time and attitude as they relate to the three plays. Bibliography lists 6 sources.
Filename: TLCicemn.wps
Paper Title: "The Iceman Cometh," "Waiting For Godot" And "Death Of A Salesman": Time And Attitude
