Research Paper Format On Word

Click on any of the term papers to read a brief synopsis of the research paper. The essay synopsis includes the number of pages and sources cited in the paper.

  • Comparison of The Autobiography of Malcolm X and Spike Lee's 1992 Malcolm X Film

    An 8 page investigation into the life of one of the most controversial black leaders of all time. This paper contends that while the film is more graphical and moving, by the nature of its cinematic format, both the film and Haley’s book provide the same overall picture of Malcolm X. The author of this paper cautions, however, that to really understand the man we must look beyond his words and, indeed, the words of those who so eagerly portray him in film and book to find more objective sources for our conclusions. Bibliography lists 6 sources.

  • Bible Word Study/Counseling

    A 6 page research paper that offers a detailed word study on the words counsel, advice, help and wisdom. Bibliography lists 12 sources.

  • Online Research Review

    A 5 page paper. The writer was asked to participate in several Online research projects and critique them. The paper begins with an introduction to research conducted on the Web, the typical formats, and the risks. The writer presents several studies with brief comments about them, regarding purpose, reliability, validity and format. No Bibliography.

  • Perceptual Losses Between the Page and Big Screen

    An 8 page paper that argues the point that the historical written word loses much of the personal perception it evokes in individual readers when it is converted to the film medium due to the influence of the personal perception of the cinematographer. The history and evolution of historical cinematography from the earliest days of the film industry to present are discussed, including a brief description of the progressive documentary format that emerged in the 1990s. Bibliography lists 6 sources. LCFilm.doc

  • Perceptual Losses Between the Page and Big Screen

    An 8 page paper that argues the point that the historical written word loses much of the personal perception it evokes in individual readers when it is converted to the film medium due to the influence of the personal perception of the cinematographer. The history and evolution of historical cinematography from the earliest days of the film industry to present are discussed, including a brief description of the progressive documentary format that emerged in the 1990s. Bibliography lists 6 sources. LCFilm.doc

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