Research Paper On Shakespeare

Click on any of the term papers to read a brief synopsis of the research paper. The essay synopsis includes the number of pages and sources cited in the paper.

  • Jealousy in Othello

    A 3 page essay that discusses jealousy in Shakespeare's Othello. Jealousy, both professional jealousy and sexual jealousy, plays is the primary motivational force portrayed by Shakespeare in Othello. While Shakespeare focuses primarily on Othello's sexual jealousy as his motivation for the murder of his wife, Desdemona, behind Othello's actions are the manipulations of Iago, which are motivated by professional jealousy. In other words, throughout the play, in general, Shakespeare warns his audience against the insidiously evil effect of jealousy. Bibliography lists 2 sources.

  • History Plays of William Shakespeare

    An 8 page research paper that discusses Shakespeare's ten history plays constitute a substantial portion of his canon. The main body of these plays cover the years 1398 to 1485, with two additional plays, King John and Henry VIII, forming, respectively, a prologue and an epilogue to this period (Sen Gupta 55). These eight plays offer a survey of English history that begins in the last years of the reign of Richard II and end with the death of Richard III. The following survey of Shakespeare's history plays looks at where they fit in the Shakespeare's conception of English history and their historical accuracy. Bibliography lists 6 sources.

  • Much Ado About Nothing, Twelfth Night/On Film

    A 7 page research paper/essay that discusses 2 film adaptations. While there are numerous film adaptations of Shakespeare’s tragedies, the Bard’s comedies have proven to be notoriously difficult to translate successfully to the screen (Crowl 69). However, Kenneth Branagh’s Much Ado About Nothing (1993) and Trevor Nunn’s Twelfth Night (1996) successfully overcome the challenges inherent in a film adaptation of a Shakespearean comedy, as both films were artistically and commercially successful. First of all, these films overcome the problems of translating the plays from the restrictive confines of the stage to the visual options available in film. They also combine aspects of Hollywood storytelling and cinematic technique that are familiar to modern audiences with Shakespeare text and, thereby, imbue the classic plays with fresh energy and postmodern aesthetic. Bibliography lists 2 sources.

  • A Review of the 1965 Film The Greatest Othello?

    This 4 page report discusses Sir Laurence Olivier's 1965 film version of Shakespeare's "Othello." The film is something of a hybrid in that it is actually a filming of the stage production by the National Theatre of Great Britain. Bibliography lists 3 sources.

  • Stage and Screen Adaptations of Hamlet by William Shakespeare

    This 5 page report discusses Shakespeare's "Hamlet" and the statement made by Bert O. States that analogous techniques are at work in the art of the film director, for "Shakespearean cinematography makes use of the same device (as employed by film directors) for advancing character ambiguity by framing the character against the rhetorical sky of the play's world." Issues of location, whether expressionistic (as in Olivier's stage portrayal) or realistic (as in director Franco Zeffirelli's film version). Bibliography lists 5 sources.

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