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Number of Pages 6
This research paper: 6 pages in length. The poets of the Romantic Period often portrayed the artist as visionaries in their works. In addressing the approach to this concept, Samuel Coleridge's 'Frost at Midnight' and John Keats' 'On First Looking into Chapman's Homer' are compared so as to realize the legitimacy of this poetic tendency. The Romantic Period was rife with visionary artists who prevailed against the odds of a time gone by when artistic impression was not deemed as being an instrumental aspect of one's existence. Blooming forth to prove the truth is otherwise, the visionary element so prevalent in the poems of Coleridge and Keats brings to light the magically illusory component of artists. The writer discusses the portrayal of artists as visionaries in Coleridge and Keats' poems. Bibliography lists 5 sources.
File: LM1_TLCvison.doc
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