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A 5 page paper that explains and discusses how the canon of the Old Testament came to be and why it is different for different religions. For instance, the Jewish Bible has 24 books, the Protestant Old Testament is comprised of 39 books, the Eastern Orthodox Bible, has forty-three books and the Roman Catholic Bible has forty-six books. The historical development of these versions of the Old Testament is presented. Bibliography lists 7 sources.
A 6 page paper that discusses the development of the Old Testament canon in three major religious sects: Judaism, Christianity, and Roman Catholics. The writer begins by explaining the meanings of the words Bible and canon and then discusses the development of the Jewish Bible, including the role of Rabbi Johanan ben Zakkai and the Council at Jamnia in 90 A.D. How the books were selected for the Protestant and Roman Catholic translations is discussed next, with an explanation of protocanonical and deuterocanonical books and a list of the Old Testament books in the Apocrypha. Finally, the writer establishes the validity of the canon of the Old Testament. Bibliography lists 8 sources.
An 8 page paper that begins with an introduction to Roman portrait. The writer describes six Roman portraits: The General, Togate, Portrait of a Roman Matron, Republican Couple, Aulus Metellus (The Orator), and Stele of a Republican Family. The writer then compares and contrasts the Egyptian The Seated Scribe and the Roman Emperor Marcus Aurelius Antoninus. Bibliography lists 10 sources.
In 5 pages, the author discusses the reason for the collapse of the Roman Empire. The Roman Empire was a great and powerful entity at one time. In fact, many of today's fields such as literature, law, art, and architecture were influenced by the Romans. This causes one to question why this very substantial and powerful empire collapsed. Bibliography lists 5 sources.
A 3 page essay that analyzes Canto XX from Dante Alighieri’s epic poem “The Divine Comedy,” which begins with the book entitled “Inferno” and records how Dante journeys through Hell led by the specter of the ancient Roman poet Virgil. In Canto XX, Dante, the poet as opposed to the character in the poem, reasons that piety lives but that pity is dead. This may seem hard-hearted to the modern-day reader, but it fits with the theological reasoning of Dante’s era, which believed that God’s justice should be accepted unequivocally and with complete faith, that is, with piety. Bibliography lists 2 sources.
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